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Open Assembly

Experiments in Aesthetics and Politics

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LOOKING AT NOISE, A CONVERSATION WITH BRIAN SPRINGER

by a / 4 months ago
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THE WORLD’S A MESS: The Structuralism of Punk’s Anti-Structural Politics

by Cedric / 4 months ago
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In response to Rachel Garfield’s Introduction to “Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s” – Amy, Jackie, Shu, Tabitha

by a / 4 months ago
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On the Concept of the Political in AI-Generated Art

by lottepeers@alum.calarts.edu / 4 months ago
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Feminine Failures: The Radical Possibilities of Punk’s Subversion of Gender and Capital

by cameronweeks@alum.calarts.edu / 5 months ago
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Image Associations: In response to Rachel Garfield’s Introduction to “Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s”

by a / 5 months ago
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The Paint Tube to Warhol: the Valuing of Art in the Mechanical Age

by clairebilderback@alum.calarts.edu / 5 months ago
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Sonic Resistance: displays of sound in the work of Lawrence Abu Hamdan as read through Shana L. Redmond’s 2020 “Everything Man: The Form and Function of Paul Robeson”

by a / 5 months ago
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Recalling the Experimental Workshop

by a / 8 months ago
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Gabriel Rockhill and Foucault: Through and Beyond Historicism

by Cedric / 9 months ago

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